|
Section |
Time |
Instrument |
Function |
Rpt |
Text Hint |
|
1 |
00:00 |
Guitar |
Solo |
2x |
|
|
2 |
00:32 |
Guitar/Keys |
|
4x |
|
|
3a |
01:02 |
Guitar/Keys |
|
|
|
|
4a |
01:33 |
Guitar/Keys |
|
4x |
|
|
3b |
01:47 |
Guitar/Keys |
Keyboard Variation |
|
|
|
4b |
02:09 |
Guitar/Keys |
Keyboard Variation |
4x |
|
|
5a |
02:22 |
Voice |
|
3x |
“Found a way” |
|
5b |
03:46 |
Guitar |
Solo |
3x |
|
|
END |
05:20 |
|
|
|
|
|
|
Number |
Repetitions |
Average Length |
|
Sections |
5 |
0 |
1:04 |
|
Subsections |
8 |
0 |
0:40 |
This song starts and ends with a solo.
Section 5 is structured into Vocals-Solo. Other songs contain sections that are structured into Riff-Vocals-Solo. But since there is no riff in this song, section 5 can be viewed as a variant of this substructure.
1-2-(3-4-3-4)-5
What can I say? Another great tune here. A last resting point before the satanic conclusion of “The Grand Conjuration”. I like the soft tension in this song. Especially the vocals and solo in section 5a and 5b are sooo delicate. The most bluesy song in the whole Opeth catalog in my opinion.